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A Malaska Golf Member wants to know about the right hand. She explains that several teachers talk about holding the club in your fingers more than the palm of your hand. The member wants to know the upsides and downsides of this.

If it’s not more in your fingers than your palm, it is a downside because you won’t be able to do the lever system and create speed.

If the club is in the palm of your right or left hand, Mike says that’s called putting or maybe chipping. You do that to stop the hinging and unhinging of the wrists when you are putting or chipping. Turning your right hand under also gives you more stability. But if you do that in full swing, you won’t be able to create speed. 

Mike shows us how he holds the club in the fingers of his right hand. He places his left hand on the handle, and the right hand wraps around and over the thumb. Mike reinforces that his fingers are what is holding the club.

Your fingers are where your control and speed are. For full swing, you want it in your fingers! Some people make the mistake of putting it in their fingers and wrapping their hands too far over the top of the club. Your hands hinge back and sit on the thumb.

Mike uses a sports connection with throwing a baseball and how you use your fingers to throw a ball. You use your fingers to hold the club. Again, the club is in your fingers with your palm at the right angle.

RIGHT HAND IN THE GRIP

Is your left arm tension free as it hinges? Try this pattern to find out.

THE LEFT ARM

A Malaska Golf Member wants to know some drills so they don’t pull their hands in on the swing instead of extending them.Most teachers who see students come into the ball and pull their arms in call this the ‘dreaded chicken wing.’Mike demonstrates how the chicken wing happens. People think that the answer is to straighten your arms on the follow-through. Mike explains this is not the case; your arms are pulling in because they must. People have more hand-eye coordination than they give themselves credit.What happens is that when people swing back, they don’t push their hips back. On the downswing, their body ends up moving closer to the ball. To hit the ball, they resort to pulling in their arms to get the clubface on the ball. Hence, the ‘chicken wing.’&nbsp;Mike explains the fix! When you swing a golf club, the thing that makes your arms straighten out is when your left hip pushes back and away. By doing this, it throws and accelerates your arms forward.When Mike has students who do the ‘chicken wing,’ he gets them to step back from address and try to hit the ball. They usually miss the first one because their arms pull in. When they hit the ball, their arms must straighten out, and the ‘dreaded chicken wing is gone.’The ‘dreaded chicken wing is an effect of people moving closer to the ball. Once you figure out that if you push your left hip back, your arms will straighten out, and the ‘chicken wing is gone.’

The Dreaded Chicken Wing

A Malaska Golf Member wants to know about the Malaska Move. Mike explains that it’s really not his move but a move that Joe Nichols taught him. Mike also says that it is a feeling.

Mike’s observation about golf today is that he sees players try to shallow the shaft on the downswing and turn and go on it. For most people who try to shallow the club, their hands will push out in front as they turn, the clubface will be open, and they will have a hard time catching the clubface up to the ball.

Joe wanted Mike to take the club back but noted that the momentum of the club wants the club to fall back away when you change directions. Joe said you must feel like you are tipping the club or pulling the handle down. This will help get the club back in front of you, so you can turn and hit the ball.

Mike says the big thing about the “Malaska Move” is that when you tip the club out, Mike’s right shoulders are moving down and not following the swing around. Doing this is not tipping the club out.

Tipping the club is about getting the club in the correct arc so the club can go and it runs into the ball. If you do this correctly without using your shoulders, the momentum of the club will get out in front of you. This allows you to turn as hard as you can into the ball.

If you let the club fall behind you on the downswing and your body turns too quickly, you get into trouble catching the club up to the ball.

THE MALASKA MOVE IS A FEELING

Sports Connect and fitness play a vital role in improving your golf swing by building on movements and instincts you already possess. Mike Malaska emphasizes understanding your body&rsquo;s capabilities and limitations to create a swing that works with your physicality, not against it. By identifying these boundaries, golfers can tailor their practice to enhance mobility and efficiency.
Instinctive movements from other sports like baseball, tennis, and basketball form the foundation for a functional golf swing. The throwing motion in baseball mirrors the action of the right hand, while a frisbee&rsquo;s throw aligns with the left hand. These familiar patterns simplify the learning process and allow players to adapt existing skills to the golf swing.
Malaska highlights the importance of recognizing that your body is a pattern machine, instinctively adopting the most efficient movements. By connecting the dots between sports and golf, players unlock a natural and intuitive way to enhance their game. Sports Connect reinforces the idea that golf isn&rsquo;t about learning entirely new motions but adapting what you already know to excel on the course.

M2 Coaching Series-Sports Connect

In this lesson, John Lang works with Mike Malaska to address the challenges of playing golf after losing vision in his right eye due to a stroke. As a former right-eye-dominant golfer, John must adapt his swing and develop new techniques to maintain his performance despite issues with depth perception and spatial awareness. The lesson focuses on helping John modify his head positioning, adjust his approach to the game, and utilize targeted drills to build consistency and confidence.The session begins with John explaining how his vision loss has affected his ability to gauge depth and follow the ball, particularly under certain sunlight conditions. With peripheral vision playing a more critical role, he now relies entirely on his left eye to track the ball. Mike highlights that this adjustment requires a change in head positioning during the swing to ensure the dominant eye stays focused on the ball. Drawing on the example of Jack Nicklaus, who is colorblind and relies on feel rather than sight to track the ball, Mike advises John to slightly offset his head to maintain focus. This simple yet essential adjustment is crucial for overcoming the limitations caused by his vision loss.The conversation transitions to the M-System and its extensive library of drills. John expresses his appreciation for the system but notes that the library’s wealth of information can feel overwhelming. Mike emphasizes the importance of the drills, sharing a story from his teaching experience in Japan, where golfers focused on seven basic drills to address their weaknesses. Over 11 weeks, the group made significant improvements by mastering each drill without directly working on their swings. Mike encourages John to approach the library in the same way: selecting a drill, identifying challenges, and working through them to strengthen specific aspects of his swing.To wrap up the lesson, Mike observes John hitting a few shots. John shares that a previous suggestion to drop his back foot has been particularly helpful in stabilizing his swing. He also mentions focusing on the mental and psychological aspects of his game, paying close attention to how his hands and body work together during practice. Mike praises this approach and encourages him to continue refining his fundamentals, reinforcing that targeted adjustments and deliberate practice will help him adapt and improve.

Master Your Swing After Vision Loss

A Malaska Golf member noticed that Mike Malaska’s grip in a video on YouTube from five years ago appeared to be weaker than it is now. Mike concedes that is probably true. His grip changed from his natural baseball style grip, where he first started throughout his professional career, but is back to where he first began. His grip also appears weaker than it is because Mike pushes his hands forward at setup so that the club shaft is in line with his hands and arms. 

Mike then discusses how to make the golf swing work. He uses an oversized golf club to illustrate this. The clubface is still square to the ball on the backswing, and your wrists are starting to hinge. At the top of the swing, or as Mike likes to refer to it, the transition point, your left arm rotates, tipping the club out on the downswing. Your club returns to a 90-degree position of the swing arc, pushing your left leg out, and the clubface runs into the ball. The clubface stays the same on the follow-through side while your wrist rehinge. 

Mike describes the hand action in his golf swing at impact. The left hand is like a chopping action, and the right hand is a throwing motion. The stronger Mike is in his grip, the more he can feel this motion because it’s not about twisting your hands at impact.

HAND ACTION WITH STRONGER GRIP

Using your hands to control the face to make the ball curve the way you want it to curve.

CURVING THE BALL: FACE CONTROL

It is important that you can feel the weight in the club and clubhead throughout the swing. To do this turn the club upside down. Hold the club head end. Swing it a few times. Then turn it back to normal and swing. You will be able to really feel the weight in the club and club head and where it is in the arch. Then do the same thing but this time let the weight or force in the club and clubhead make your wrists hinge unhinge and rehinge. You are not forcing it. 

FEEL WEIGHT

Mike Malaska is working with former MLB pitcher Garrett Richards. In this video lesson, he is showing Garret the sports connection between baseball and golf.Mike gets Garrett to swing with a baseball bat and wants him to feel what his left hand does when it releases on the follow-through. Mike comments that Garrett’s left wrist doesn’t twist when he swings a baseball bat. It is the same when he swings a golf club and hits a ball. Your wrists should not twist, but that’s what is currently happening in his golf swing.&nbsp;Mike said Garrett would hit grounders if he rolled his wrists with a baseball bat. Mike holds the bat with Garrett and demonstrates the hand and wrist action, which is the same as the golf swing.Garrett now goes back to his wedge, and Mike adjusts his grip. He also shows him how to release the toe of the club on the follow-through. It goes up, not over.Mike just wants Garrett to make an easy 100-yard shot. He does, and Mike says that Garret didn’t hook the ball. Mike explains to Garrett that he had so much twist in his arms that it was hard for him to be consistent. However, Garrett was athletic enough to swing the club from the inside and to catch his hands and clubface up. Being a few degrees off in having the clubface square at impact can cause miss-hits.Mike gets him to hit the ball again, imagining him hitting a baseball bat with his left hand. It's more of a chop action with no twist. Garrett hits an awesome shot. Mike laughs and tells him how easy it will be to hit it straight. Garrett says it feels like hitting a cricket bat and hitting the ball square.Mike shows how the clubface works, demonstrating the swing path with Garrett’s club. The clubface is open relative to the target line; however, it is 90 degrees to your body on the swing arc. What the club doesn’t do is rotate and turn over. Garrett describes it like a pinball flipper. Mike explains this is how the Tour Players swing. The clubface hardly rotates relative to their swing arc.Mike tells Garrett that his right hand is his pitching hand, and he is aiming at the ball to throw it. His left hand is like hitting a baseball. Garrett describes to Mike that he feels like he is reaching up and ringing a bell on his backswing. He says that it feels like a more direct path up and directly to the ball than swinging out and hoping the timing is right back to the ball.Mike wants to work with Garrett on his short shots, which will help him significantly improve his short game and also his long game.&nbsp;Mike is trying to get Garrett to trigger something his body already knows how to do, and he says this is where golf went wrong. The golf industry decided to turn the clubface down because they didn’t want the ball going up in the air. This came about because of how golf started historically: the balls were expensive, the players wore suit coats, and it was windy in Scotland. As the game progressed, it became less important to keep the ball low.The new balls that players have used in the last 15 years don’t spin very much. You have to hit the ball higher. You have to stop the ball with ‘angle of descent,’ than you do with spin. Therefore, all the rotation of the arms and turning the hands down is gone. Mike explains that the new Tour Players swing so fast, but the clubface doesn’t rotate much. They can hit the ball pretty far because the clubface isn’t twisting.Garrett feels that what he is doing now with Mike with his swing is compressing the ball versus hitting the ball. Mike says that this is awesome.Mike explains to Garrett that a good way to get the correct grip is to hold the golf club like he is holding and swinging a baseball bat. Adjust the thumb slightly and lower the club down behind the ball. This is the correct grip you should have. Mike says that he had this grip coming from baseball, and after college, he was talked into another grip by his instructors, which ruined his career. With the grip Mike had, they said he wasn’t a golfer and had a shut face with a throw release. The irony is that’s what everyone wants today.Mike works with Garrett’s grip again to get it on correctly, and he talks about force going into the hand. Mike wants Garrett to make small pitch shots. Mike notices his ball flight is now lower, with a slight draw. This is what Garrett wants.Again, Garrett says it feels like hitting a cricket bat. Mike says he has never heard that before but says to Garrett that if that is what it takes to get a feel to hit the golf ball correctly, then to go with it.

Garrett Richards-The Baseball Swing

The M1 Coaching Series continues with a focus on chipping and pitching, expanding on the concepts introduced in putting and the line of compression. This session emphasizes understanding the pendulum motion of the golf swing and how different shots require catching the ball at various points in that motion.
Key to chipping is realizing that the ball gets airborne due to the loft of the clubface, not by lifting it. Chipping is essentially "off-green putting" with minor adjustments in setup, such as moving the ball slightly back and leaning forward, to catch the ball on a descending stroke. The line of compression remains consistent, with the right arm and hand driving the shaft through the ball for clean contact.
Pitching introduces additional wrist action, focusing on flexion and extension to control trajectory. Players practice one-arm pitch shots to develop a feel for clubface control and how wrist angles influence loft. This foundational drill helps ingrain proper mechanics and build confidence in shot-making.
Chipping and pitching are critical for mastering trajectory and precision. Golfers are encouraged to spend significant time practicing these tasks, as they lay the groundwork for more advanced aspects of the game. The concepts taught here integrate seamlessly into all parts of the swing, providing a solid base for continued improvement.