Manage Account

Manage Subscription

Developing the skills for the short games are the same skills and or tasks that you use in the full swing. This is the basis for the full swing. Small swing success before big swing success. Plus your short game is where about 50 to 60 % of your scoring comes from. It is the area that you can make the most improvement the fastest and the biggest impact on your score.

SKILL PATHWAYS: SHORT GAME

Hi, my name is Matt Baker, and I'm a Malaska Golf Certified Coach based here in the UK. This is a great question from Mike Witkowski, asking: When should you hinge the wrist? Is it at the start of the swing or at the top of the swing?That's a really good question because, as with many things in golf, there are so many different variations on this, especially if you watch tournament players.Our recommendation is to start hinging the wrist as soon as possible—almost immediately. The way I like to feel it is by imagining that I'm pushing the handle down while pulling the clubhead up. This really helps get the club swinging on the correct path.And that's the key feeling—you definitely don't want to hinge only at the top. You don’t want that sudden "snap" motion. Some coaches teach that, but in my experience, it can cause a rebound effect, and I don’t like that. I’ve tried it, and it didn’t work well for me. So, setting the wrists early is crucial.The feeling you want is that, as you take the club back, the handle is being pushed down and the clubhead is going up. Ideally, the full wrist set might happen around the halfway point of your backswing, then you complete the swing and follow through.So, the key takeaway is to hinge the wrists as soon as you can. Focus on the feeling of "handle down, clubhead up." Say it to yourself: "handle down, clubhead up"—and swing through. It will help you complete the swing consistently every time.It’s a gradual motion as you're swinging back—gradually pushing the handle down and lifting the clubhead up. It’s not a snap motion, but a smooth, continuous movement.I hope this helps answer your question, and good luck with it!

WHEN TO HINGE THE WRISTS

So, the way the members play it, this is their third hole, or sometimes their 10th, 11th, or 12th hole. For us, it was the third hole, and I had just gone birdie-birdie and hit a perfect tee shot. This is where I told my caddie—and this is where you have to be careful about getting ahead of yourself—I'd played with these guys for two and a half holes.On this particular par 5, I had driven it about 20 or 30 yards past both of them. I could reach the green with an iron. I told my caddie, “Mark, these guys can’t beat me.” Now, that’s a nice thought, but I was only three holes into the round, and you’ve got to be really careful about getting ahead of yourself.The ball’s in good shape here, but I hit a tree, and I’m a long way out. The ball is sitting down in the rough, as you can see. Now, I could take an iron, but the problem with an iron is that it catches the grass, and the ball probably won’t come out cleanly.So I’m going to take this 7-wood, choke down on it, and hit a low bullet cut out of here. That club will get me just to the front edge of the green or just short. You can use this club, even if you're 150 yards away in this kind of rough, because it cuts through the grass much easier. A 7-wood or 9-wood out of the rough is ten times better than an iron because the grass catches the iron’s head, but it can’t catch the whole head of the wood, so it goes through the grass better. If you're playing a course with this type of rough, a 7- or 9-wood is invaluable for getting the ball up on the green or close.In the Open on this hole, a par 5, the only bad tee shot I hit was a pulled drive that caught the trees and kicked over. I took the wrong club—a 5-wood—and had to slice it 50 to 60 yards. I aimed it almost at another green and hit a really high cut, landing it on the front left part of the green.Just like that! I got it up over the trees, sliced it about 50 yards, and ended up on the front right part of the green. That was a turning point for me. If I had missed and hit a tree, who knows what would have happened. It probably wasn’t the best shot, but looking back at my career, that shot, given the conditions, was one of the best I’ve ever hit.This shot probably won me the tournament, mostly because of the momentum swing it created, which happens in every round. You look at this hole, a 180-yard par 3, with the pin in the very back right corner. There’s a big cliff on the right, and I got up here, and given how I was playing and how I was hitting it, I aimed at the right edge of the bunker. I hit it right at that edge, and it drew into the back right pin placement, about six feet from the hole. I made birdie and regained a two-shot lead.I’ve come back here many times, especially after I improved my swing, but I never had a consistent shot until now. Standing here today, I think about how comfortable you have to be to aim at that bunker and hook it into that back right pin placement. I wasn’t even thinking about losing it into the canyon because every shot I hit that day was solid with a little draw. I aimed at the bunker, drew it, and if it drew too much, it would land in the middle of the green.I hit a 6-iron back then, and today I’m using a little more club, but I’m going to aim at the bunker and try to hit the same shot. Wow, I hit the same shot. It’s interesting—here I am at 70 years old, and I’ve gone back to how I used to hit it as a kid. I had a lot of confidence. I stood up, aimed at the bunker, and hooked it into the back right pin placement.Again, this is about knowing what shot you can hit. When I stood here during the Open, I had no fear of that canyon. People have asked me countless times, “What shot did you hit? Where did you aim?” I simply aimed at the bunker and hooked it in there. “What if it didn’t hook?” Well, every shot I hit solid drew 5 to 10 yards, so I had such a consistent ball flight that I could count on it.Most people would aim at the middle of the green and try to cut it back into the back right pin placement, but I’ve never been able to do that. Even though in theory that’s the right shot, you have to hit the shot you’re comfortable with. That’s what I was doing at the time—hitting it solid, playing my game, and hitting my shots. It was good enough to beat some tour players and shoot incredible scores here as an amateur.Why did I change? I didn’t fully understand my swing, and I was trying to get better. That’s the scary part—when you start saying, “Let’s get better” just for the sake of it. This is about shooting a score and controlling the ball, and I had control back then.I’ve got 78 yards to the pin now, and I’m using my 58-degree wedge, which I normally hit about 80 or 90 yards. But since the pin is at the front, I have to carry it on and stop it quickly. So, I’m going to take a little loft off, hit it lower, and get a lot of spin on it.There we go, about three feet. Actually, that shot I just hit, compared to when I won, is one I didn’t have in my arsenal back then. Now, it’s all about those shots inside 100 yards, using a 58- or 60-degree wedge, flighting it down with a little draw or fade, so it hits, spins, and stops. These are the kinds of shots that make a big difference in your game.Yes, you want to work on your full swing, but controlling the face and trajectory inside 100 yards—those are the fun shots to hit. To me, that shot is more enjoyable than hitting a full driver."Birdie on the first, or birdie on the sixth."

STRATEGIC SHOT-MAKING

Set up a number of sticks. One is on your target line. The others are spaced apart to create gates to hit the ball between. As you practice make the same backswing but then change the path of your arms on the down swing to make the ball go through the intended gate. Start by making swings that start the ball way to the right. If you are a right handed player. Then gradually change the gate to make the swing path be less from the inside. This is teaching you path control with your arms. 

PATH DRILL GATES

MLM: HOW TO GRIP

SWINGING WITH A HEAVY CLUB

The task is to direct momentum for every club.

DIRECTING MOMENTUM

Setting up a practice station is very important relative to becoming consistent. First get four sticks. The first one you set down aimed at your target. The second stick goes on the ground parallel to the first stick and about one foot to the left of the first stick on a right handed player. The third stick is standing up in the ground about 6 feet infront of the first stick that you placed on the ground for your target line. The last stick goes down at a 90 degree angle to the second stick. It establishes your ball position. 

PRACTICE STATION

This Mulligan Monday teaches you that your putting stroke will help with your chips around the green.

Mike is set up about 10 feet off the green with a putter and a wedge. He takes his putter, makes a putting stroke, and rolls the ball onto the green.

Mike then grabs his wedge, positions it in front of the putter, and holds them together. Mike sets up again and makes the same putting stroke, but because the wedge has a lofted face, the ball gets in the air this time.

This is a great drill to make the transition from putting to chipping. You can feel your putting stroke while chipping. The only difference is that the ball is a little back in your stance, and your weight is also a little forward when chipping. You are also trying to catch the ball on the downswing. 

With putting, you are hitting the ball on the upswing. Other than that, chipping is your putting grip and putting stroke.

CHIP LIKE YOU PUTT

When you watch top athletes in other sports, they warm up first. They don’t go right into their activity, they stretch their body up. Do this in golf and you’ll be able to hit it better.

WARM UP FIRST

Adjust your grip to make the ball curve differently by setting the clubface more closed if you tend to slice the ball.

FIX YOUR TENDENCIES

Mike and Milo both use modified baseball swings in golf.

BASEBALL AND THE GOLF SWING

Once you have your elbow working correctly, add a shoulder lift.  This is the second part to building a solid shoulder rotation.

SHOULDER LIFT

Matt Baker, a Malaska Certified Coach, is subbing for Mike this week. A Malaska Golf Member has a question about playing in wet, soggy conditions, especially in the UK, where there is a lot of wet weather. This question also happens to be Matt’s question to Mike!

Mike’s first answer to Matt was to move. All kidding aside, Mike told Matt that he needed to change his angle of attack to be more shallow with the club.
Matt mentioned some great golfers who played in the UK would shallow the club nicely into the ball. This will have a dramatic effect on how you strike the ball.
If you come down too steep, you will catch the ball fat. The key is to practice swinging the club nice and shallow.

Working on the arm action loop will help you strike the ball better. You won’t hit those muddy lies if your swing is shallower.

WET SOGGY FAIRWAYS

Brian Gott stresses the importance of getting fit for the right putter. Learn how to use it and stick with it. There are many options, such as putters with different lengths, head styles, and grips. Visit a local club fitter and make sure you get fit for the right putter that works the best for you to help your game. 

On Day 1, Brian covers putting setup, stance, and grip. At setup, you want to have a good shoulder width stance, push back at the waist and let your arms hang down. When you set up, most people’s arms hang at different lengths, so the most important aspect is putter length in relation to your arm length. 

There are many ways to grip a club, and a lot of it is a personal preference. Ensure your putter shaft moves up with the forearms in your setup. Brian also uses a mirror and a chalk line to help visualize. You can also use tees to accomplish this. When you set up to the ball, ensure your shoulders and hips are square. Use the mirror to look down and see where our eyes are. They don’t necessarily have to be over the ball. Good posture and visualizing the line straight to the hole will improve your putting.

DAY 1 SETUP

Picking a secondary target can be value for parallax, but there is still a visual context you have to understand, because it doesn't look right even with a secondary target.

PARALLAX AND THE USE OF A SECONDARY TARGET

Fewer than 2 or 3 people I have worked with have had a correct grip. A correct grip is one that fits you and your body. Everything in golf is done with your hands so having a correct grip is critical.

INTRODUCTION TO GRIP

In golf for most shots you want the back of the ball to hit the center of the face. So place a dot on the club face. Four groves up from the  lowest grove and in the center of the face. Now put a dot on the back of the ball. The game is to connect the dots. This visual is critical to the Task your brain believes the game is. It is not to get the ball in the air. It gets in the air because of the loft in the face. Then hit some practice shots starting with one arm. Place the dot on the face on the back of the ball. Then make a small swing and connect the two dots. 

DOT ON THE FACE DRILL

Mike continues to help Austin understand how his right foot, leg, and hip impact his swing. Getting your body working together helps your add stability to your swing.

CONNECT YOUR HANDS TO YOUR FEET

Your wrist plays a hige factor in trajectory. Learn how to get your wrist working the right way.

TRAJECTORY CONTROL

Malaska Golf Certified Coach Matt Baker reviews the M-System M2: Arm Action Loop Drill.

Matt uses the M-System daily. It is one of his favorite drills. He also uses the drill with his clients online or in person. The Arm Action Loop Drill is focused on the golfer who tends to swing from the outside in, or “come over the top,” as it is called.

There are misconceptions about shallowing the club. Some golfers will shallow the club shaft down instead of shallowing the arms. The arms work on a different path going down as they do going up.

Matt likes to make the sports connection with tennis. He is holding a tennis racket in his hand to demonstrate this drill. When you bring the tennis racket back, it always starts high, and then your hands and arms loop under. This motion is an “up to under,” and the hands work in a slight loop. This drill helps Matt shallow the golf club down on the right path. Tennis is a great sport to feel this.

Matt illustrates this looping motion with the tennis racket, then holds the racket with the golf club to recreate the same swing.

Now you can see the tennis racket looping or shallowing with the golf club. When Matt or his clients feel confident with this drill, he has them do it with just the club. It is ok to exaggerate this loop action first and then dial it back down.

Matt concludes that you will begin to strike the ball well when you learn this drill.

MATT BAKER M2: ARM ACTION LOOP

Brian Gott, Malaska Golf Certified Coach is answering members questions. This question comes from a Malaska Golf member, who asks about using different clubs to achieve various distances.There are two ways to approach this: you can either maintain the same swing and change clubs to get different distances, or you can adjust the length of your swing—either longer or shorter—to vary the distance. The second approach is more challenging because it requires a lot of touch and practice. So, I recommend getting out on the range and learning how far each of your clubs carries. Remember, we’re focusing on carry distance, not total distance. Practice hitting different distances with each club.For instance, my pitching wedge goes about 155 yards on a full swing. If I want to hit that same 150 yards with an 8-iron, I’d use a half to three-quarter swing, which gives me the same distance with a shorter swing.To improve, pick a target and try hitting it with different clubs using various swing lengths—full, 80%, 60%, 70%. I often teach my students the clock system, where when your lead arm is parallel to the ground (around 9 o’clock), you see how far you can hit the ball with three different clubs.It’s easier to control one swing with different clubs, which is why you have a variety of clubs in your bag. Avoid taking too much off a club like a pitching wedge, as this can lead to chunking or blading the shot. You want good acceleration at the bottom of your swing, so shorten the swing slightly and change clubs to control distance.The key is to get out there, pick a target, and practice hitting different clubs at various distances. You’ll become a better player and have more tools at your disposal on the course.

MASTER CLUB DISTANCE

THE REAL CAUSE OF LAG

Mike received the 2011 PGA National Teacher of the Year award in large part due to his involvement with Fitness, Health, Human Development and helping to create a program called The Swing Game for the PGA. He learned a lot about fitness, the human body, and how it works while developing The Swing Game (a program designed to help kids age kindergarten to 12th grade develop all around athletic skills). In this new Fitness 101 Series, Mike taps into that knowledge and expertise of how fitness applies to the game of golf.

FITNESS 101

Mike discusses a lesson he gave where the member was having problems with hitting behind the ball.

The member on the backswing would return to their right side, and their whole upper body would shift to the top of the swing and stop. Then on the downswing, the member couldn’t get to their right side fast enough and would hit behind the ball.

Mike’s solution was the Left Right Left Drill. This exercise is an important drill because it’s the sequence of a golf swing.

You put weight on your left foot, then force on your right foot, back to your left foot, and then swing from the top transition point. Remember you are already to the left foot at the transition point, so your swing circle moves forward to catch the ball and then the ground.

The problem was when the industry said to swing to the stop and stand on your left foot. Then once you are there and stable, swing forward.
The problem with this is that you are so out of sequence, and it’s hard to get to your left side. You would end up being behind the ball or leaning forward too much to hit the ball.

Practice this drill by swinging the club forward to the left, then right, and back to the left. Your arms will swing and accelerate from the transition point through the ball.

STOP HITTING BEHIND THE BALL

Making the ball roll its line is a great way to practice making the ball go straight.

MAKING THE BALL ROLL ITS LINE

The lower body turns without invading the space.

TURN WITHOUT INVADING THE SPACE

Hear Mike speak candidly on his experience with Joe, what he's learned looking back, and why Joe's wisdom matters.

WHY JOE'S WISDOM MATTERS

The body plays an important role in evrey sport. The golf swing utilizes your body when it works correctly.

LOWER BODY

Being willing to exaggerate is the key to quick changes in your swing. It is very difficult if not impossible to make small changes. You can not feel the difference. So if you want change make big exaggerations. Then do less and less of the exaggeration. If you take the club to much to the inside and come over the top. What is the opposite. To take the club out side to much and come way to much from the inside. If you can do the opposite you will be amazed how quickly you can make changes. Do not be in a rush be patient and have fun with the process. 

EXAGGERATION DRILL

GRIP - Part I

Mike uses his exercise bands to perform chest openers. You can use one or two bands to perform this exercise. It is about a range of motion. People make the mistake of doing too much weight too soon.

Mike holds the band chest high and extends it outward until it touches his chest, then he maintains the stretch.

As Mike stretches the bands, he pinches his shoulder blades back. Do this exercise 8-10 times.

The retraction of the scapula is significant for the golf swing. It happens in the backswing and the follow-through.

CHEST OPENERS

Many people forget that golf is a game. Here's how to most efficiently improve while sharing it with your friends and family.

THE MOST EFFICIENT WAY TO PLAY GOLF AND HAVE FUN

PERFORMANCE COMBINES - BEAT MIKE

In first lesson, Mike Malaska works with Ashley Huizing to explore two distinct approaches to playing golf while addressing common misconceptions that have hindered many players' progress.Mike begins by explaining why trying to replicate the techniques of professional legends, such as Ben Hogan, is often impractical for the average golfer. Hogan’s swing method, which relied heavily on forearm rotation and grip adjustments, was developed out of necessity to correct his tendency to hook the ball. Starting with a strong grip as a young player, Hogan struggled with low hooks and spent a year refining his swing to eliminate them. His solution involved weakening his left hand grip and positioning his right hand more neutrally to allow for aggressive forearm rotation without hooking.Mike highlights that Hogan’s method, while mesmerizing and effective for him, was highly specialized. Hogan’s precision required relentless practice—hitting at least 500 balls daily to maintain his skill. Even missing one day would set him back two days of practice. This level of commitment and expertise is unattainable for most golfers, yet many view Hogan’s approach as the ultimate standard to emulate, often leading to frustration and inconsistent results.Mike points out that while some of Hogan’s fundamentals have value, much of his technique is overly complex and not practical for the average player. He shares his own experience of trying Hogan’s method for three years. Although he could consistently strike the center of the clubface, he had no control over direction or distance, making it impossible to aim at specific targets. The result was a lack of precision, missed opportunities for birdies, and limited success under pressure.The lesson emphasizes the need for a simpler, more sustainable approach to the golf swing—one that focuses on balance, control, and adaptability rather than rigid adherence to complex techniques. Mike acknowledges that trying to replicate a method that took a "savant" years to perfect and required extreme daily practice is not only unrealistic but often counterproductive.By debunking these myths and presenting alternative methods, this lesson sets the stage for Ashley to develop a more consistent, reliable swing suited to her own strengths and abilities.

GOLF METHOD AND MYTHS

Delofting allows players to hit the same club farther

DE-LOFTING

As you engage the hands and utilize the shoulder action, the knees do something specific.  Here is what they do and, more importantly, what they don't do.  You  can even see this mirrored in Jack's lower body.

PULLEY SYSTEM - BACKSWING - PART 2

Mike On Nicklaus Part 1 -- Golf Does Not Define You

GOLF DOES NOT DEFINE YOU

From set up. Your force or weight is even in your feet. Your toes are quiet. As you go to impact. Force goes to the heel of your lead foot. Your toes on that foot lift. On your trail foot. As you come into impact the force in your trail foot goes first to the inside of your trail foot, then towards the ball off your foot. This will make your toes start to grab. Your feet or how you pressure the ground makes your body move.

FORCE IN YOUR FEET

On Day 5, the final day, Brian Gott puts everything together with all the skills you have learned. Make sure you have mastered setup, tempo, path, and putting speed. Brian emphasizes that you should practice what really matters to become a better putter and not randomly throw three balls on the green and hit the balls towards the hole. 

To mimic real-life putting scenarios, he sets up a practice session with multiple balls around the green at different lengths, from 4 feet to 6 feet. Putt each ball individually like it matters or has a consequence. Once you have completed this drill, move the balls farther out. Doing this will make you a better putter. Make sure that you practice what counts so that you can have putting consistency and do better on the golf course.

DAY 5 HOW IT ALL WORKS

When you play from your lead leg, there shouldn't be any force transfer in your short game.

PLAYING FROM YOUR LEAD LEG

Sammy Slice takes his golf swing to the fairways. This Mulligan Monday, Sammy will work on strengthening his grip and keeping his clubface closed.

Sammy will hit shots until he can make the ball curve to the left. Once Sammy accomplishes that, he will use the same hand action and the same clubface, but the swing path will come more from the inside of the ball.

The ball now starts to the right and curves back to the left.

SAMMY SLICE FAIRWAYS CURVE THE BALL LEFT

Mike connects the relationship with baseball to golf and how the grip is almost identical at impact. Hitting a golf ball and a baseball is essentially the same.

BASEBALL SWING

Mike talks about a new way to swing that he's seen in videos and discusses the idea of arms out in front of you.

Mike says it is universally understood that when you take the club away, the clubhead is in front of your hands, not behind. Most teachers in the industry are on board with this idea.

When you get to the transition point (the top of the swing), that is where there are some differing views. There is an idea out there about how the club works, and there are many ways to describe it: hub path, clubhead path, and center mass. A lot of physics is mentioned relative to forces.

One comment mentioned is that when players' arms come down from the top of the swing, they run their arms into their bodies. They explain this as getting stuck. Their solution when you change directions on the downswing is to put your arms out in front of you by dropping the club behind you. When this happens, you pull the handle down, allowing your arms to swing. Mike agrees that in this swing concept, you want room for your arms to swing; however, he wants to talk about how the body works first.

When Mike sets up, swings back, and goes down, his arms are in front of him. Mike can shallow the club and his arms in the downswing without getting stuck. His hips aren't in the way. Mike doesn't understand why people are getting stuck.

Mike explains that if your right hip is working correctly, the club will be in front of you sooner, in a better swing arc, with less manipulation and less force without the twisting from your body. Mike demonstrates what he is talking about when his hip works. He swings back, his hip moves back up to the transition point, and Mike shows you there is plenty of room for his arms to swing into the ball. Mike can shallow his arms, make a big loop and not get stuck.

Throughout his career, Jack Nicklaus talked about his swing and that his goal was to get his right hip far out of the way to get his arms back down to the ball. Tiger Woods talked about basically the same thing. Tiger wanted his right hip socket as deep as he could possibly get it, and when he came down, he wanted his left hip to do the same thing. This created a massive amount of space, offsetting the momentum of the club. Jack talked about releasing the club from the top. He was trying to get his club in the correct arc so he could push back away from it.

Mike uses the ROTEXMotion Floor Models to demonstrate how old guys like Sam Snead and Ben Hogan moved. They used to do the "sit down" position. When you swing to the top and push your hip back, it looks like you are sitting down. Mike shows you there is still plenty of room for your arms to swing down after you twist your feet.

Mike doesn't disagree that you need room for your arms to swing. But to achieve this by throwing your arms out in front of you with the club dropping back, pulling the handle, and twisting to get the club out to the ball is complicated.

Mike summarizes that working on this is about getting your right hip out of the way. The club is in front of you, and you shallow the club down, leaving plenty of room for your arms and the club to go up and come down. You don't have to swing and deal with multiple loops and forces to get the club to the ball. It's about ease of motion and consistency.

Mike says there are multiple ways to do it, and you can try that swing concept; however, he believes this is a better approach.

ARMS OUT IN FRONT OF YOU

Professionals use less energy with better results.  In this episode, we  talk with Martial Artist Scott about the benefits of body control, awareness of energy, and force transfer for better self expression.

BODY CONTROL

When You swing a golf club the instinct is for your hands to move at the ball from the top. But they do not. Your picture and the reality is that your hands have to swing inside the ball for the club head to move to the ball correctly. So when you start your downswing picture your hands looking like they are going to miss the ball about 10 inches inside the ball. Remember the club head is not on the same arch as your arms. It is a bigger circle. 

HANDS DO NOT SWING AT THE BALL

Sammy Slice tends to slice the ball 40 yards. This Quick Fix Friday is to fix this.

There are two ways to do that.

First, set the clubface more closed because when Sammy swings his driver, the clubface is open.

The other solution is to change your grip. Turn your left hand clockwise and turn your right hand counterclockwise.

Practice this grip on the range and decide what nuances you need to make so that the ball goes straight.

Take this new “Fix” and go out and play.

SAMMY SLICE HOW TO HIT THE DRIVER STRAIGHT

When it comes to pitching, your right forearm is very important. Learn how to keep it in line with the shaft.