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In the final video of the Player Lesson series, Mike Malaska helps Jimmy Pearcy master the art of shot control. This session focuses on teaching Jimmy how to shape his shots by understanding the relationship between the clubface and his hands. Building on the relaxed mechanics, leverage, and grip fundamentals from previous lessons, Mike introduces the techniques that allow golfers to control ball flight with precision and creativity.Mike begins by explaining the concept of shot shaping. He demonstrates how the clubface position—whether slightly open, closed, or neutral—affects the ball’s trajectory. By making subtle adjustments, a golfer can hit higher or lower shots, fade or draw the ball, or produce a straight shot. Mike likens this control to manipulating a tennis or pickleball racket, where small changes in angle and motion create spin and direction.To make the concept tangible, Mike sets up a series of drills. He starts by having Jimmy hold the clubface in his hands, showing him how to tilt it to simulate low, high, left, and right shots. Mike emphasizes that these adjustments don’t require big, forceful movements but rather small, controlled changes in how the hands and wrists guide the club through impact.The lesson progresses to hitting actual shots. Mike asks Jimmy to take his proper grip and address the ball, then manipulate the clubface to hit a hook, a fade, and a straight shot. Each shot requires Jimmy to focus on a different aspect of the clubface and its interaction with the ball. For a hook, Jimmy must slightly close the face; for a fade, he opens it; and for a straight shot, the face must remain square.At first, Jimmy struggles to coordinate the adjustments with his swing. Mike patiently guides him, reminding him to stay relaxed and let the momentum of the club do the work. He reiterates the importance of trusting the lever system in his hands and wrists, which naturally aligns the face without unnecessary tension. As Jimmy practices, his shots start to curve in the intended directions, and he begins to feel more control over the ball.Mike stresses that the ability to shape shots is a critical skill for any golfer. It allows players to navigate different course conditions, such as hitting low shots under the wind or curving the ball around obstacles. By developing this skill, Jimmy gains not only versatility but also confidence in his ability to handle various challenges on the course.To reinforce the lesson, Mike compares shaping golf shots to playing other sports. He explains that in tennis or pickleball, players learn to add spin or change trajectory by making slight adjustments to the racket. Golf, he notes, is no different: it’s about using the hands to control the clubface rather than relying solely on body movements or brute force.As the session continues, Mike challenges Jimmy to practice these techniques consistently. He encourages him to spend time experimenting with different shapes and trajectories, focusing on feel rather than distance. The goal, Mike explains, is not to hit the ball as hard as possible but to understand how to control the clubface and let the momentum of the swing dictate the shot.By the end of the lesson, Jimmy experiences a breakthrough. For the first time, he feels in control of where the ball is going and how it’s getting there. He realizes that shot shaping isn’t about making drastic changes to his swing but about subtle adjustments to the clubface and trusting the natural motion of his hands.Reflecting on the entire series, Jimmy expresses gratitude for the lessons Mike has provided. He appreciates how the focus on fundamentals, from grip and leverage to speed and control, has transformed his understanding of the game. With a relaxed, efficient swing and newfound control over his ball flight, Jimmy feels equipped to take his golf game to the next level.This final lesson concludes the series, leaving Jimmy with the tools and confidence to approach every shot with precision, creativity, and a clear understanding of his swing. By mastering shot control, he is now prepared to tackle any challenge on the course and enjoy the game at a higher level.

DIAL IN YOUR SHOT CONTROL

CHRIS LEBIEDZ

Creating an indoor practice hitting area for the off-season.

INDOOR PRACTICE

The right hand and clubface work in harmony with your left hip to get the club on the ball.

RIGHT HAND & CLUBFACE WORKING WITH YOUR HIPS 

Getting a feel for the club can help improve your swing. Practice getting a better feel for your club.

FEELING THE CLUB

MalaskaGolf.com is a powerful site with over a thousand videos to watch and learn. The best way to use the site and simplify the golf game is to understand The M-System.

You need to have a process each day. Begin with step one, execute that, and move to the next step. Work on something different with your swing, but there must be a base product and a base start.

Mike has a routine that he does every day. He starts with his right hand making little shots, then adds a little pivot. Mike moves to his grip, getting both hands on the club and making swings. As that begins working, he adds the L to L drill and hits a few shots. Complete all those drills from M1 and M2 before going any further.

People keep wanting more information, so we do more videos that help you better understand The M-System. Mike might make some adjustments, work on tempo, and see if that works. Again, having a solid understanding of a few basic concepts to work from is essential.

If you want to simplify the game, go through The M-System and if you have a question about a specific part of The M-System, go to a drill that reflects it in the Drill Center.

Simplifying is about step one, the clubface, and the ball. Then it is face control and how the face makes the ball go. Next is how your hands control the clubface, your posture and working with your arms in an arc, your wrists, and getting your body to work.

These are the basic fundamentals you should have. Once you master these skills, you can start adding different things to your swing. If you become good at The M-System and start adding things to it, things will make sense. If you don’t have the fundamental skills down,
then adding to it won’t make you any better.

Mike stresses that it is all about consistency. People tend to move on too quickly, try too many different things, and need to spend more time perfecting something.

Mike has spent his entire life getting good at three things. Jack Nicklaus also worked on those three things and a few other skills.

Watch the videos and start with the concepts of The M-System and build on them. Every day is an opportunity to reinvent yourself and start over.

Mike starts with the basics every time he goes to the range.

START WITH THE M-SYSTEM

Mike stretches a cord behind his neck and across his shoulders.

With your shoulder blades pinched together, bend down, turn, and stretch your left arm back as far as you can. You swing your arm back around again, and then you turn your right arm and stretch it as far as you can turn it.

Stay in your golf posture. Turn, stretch the band, and then do the same on the opposite side. Repeat.

This is a great exercise to get your scapula loading, extend your arms and lat muscles, and loosen up your hips.

FITNESS STRETCHING YOUR ARMS

A Malaska Golf Member has a question about your swing path relative to the target line.

Some people believe you should swing from the inside out, which is untrue. This concept was developed to help people who were swinging over the top. Instructors told them to swing from the inside out to the right field to remedy that. Mike explains that it is an exaggeration and not what happens.

Mike sets up with his oversized iron and an alignment stick in front of him. As he swings the club back, you notice that he swings on an arc up to the top. As the club comes down, it comes slightly from the inside before it hits the ball.

The point at which the club hits the ball is the apex of the circle. There are no straight lines in your swing. After you hit the ball, the club continues on an arc around to the left. The club does not swing down the target line.

This was a concept, unfortunately, that Mike was taught, and it killed his swing. They said Lee Trevino kept swinging his club down the target line on his follow-through. Mike got to stand behind Trevino one day and watched him swing and hit balls. He didn’t swing the club down the target line; it went around to the left.

His clubface stayed at a 90-angle angle to his swing arc, but he wasn’t changing his arc.

Whether you fade or draw the ball, you are hitting slightly from the inside, and then the club continues around to the left. Again, it does not go down the target line.

THE ARC OF THE CLUB

Malaska Golf Certified Coach Matt Baker, based in the United Kingdom, is answering a member question.A Malaska Golf Member has a question about the Arm Drop video and how it doesn’t get the club parallel to the path on the way down or to the ground. However, when Mike does it, it does.Matt agrees with the member, and he explains that the golf swing is a dynamic motion and there are lots of other things moving as well. The arm drop is just a feel. Matt demonstrates when you take the club back to the top of the swing and you let your arms drop, the club is still behind your hands. What you want to do is learn to have a separation between the arms and the body. You want the club to just fall down. During this motion, other things are happening as well, because the golf swing is a dynamic action. Your body is moving and pushing away from the ball from the clubhead through the shot.Also, at the same time, you are directing momentum on the way down, famously called the ‘Malaska Move’ or tipping the club. Matt demonstrates this move. As he starts the club down, you will see that Matt is ‘tipping’ the club out or forward on the downswing. If Matt had a steering wheel, it would feel like he was turning the wheel to the left.Matt reiterates that as you are changing the direction of the club, you are changing the momentum of the club. Matt’s favorite drill is the 3 Corners Drill. This drill helps you with ‘tipping the club’ out in front of you. When Matt practices the 3 Corners Drill, he feels like he gets everything out in front of him, and the club just swishes through on the swing and takes off.Matt agrees with the member that if you do drop your arms, the club will still stay behind your hands, because of momentum. What you must do is offset that momentum and change that path. This all happens in transition. Performing the 3 Corners Drill and working on changing momentum will transform your golf game.

MASTER THE ARM DROP

How the position of the ball affects spin.

BACKSPIN AND BALL POSITION

A Malaska Golf Member has a great question for Mike, and it is about how your left wrist works in the swing. There are many swing concepts out there, and some aren’t even close to what you should be doing.

Mike came from baseball to golf and used his baseball swing to hit a golf ball. Mike demonstrates how he swings and hits a baseball with his golf club. You can see what the left wrist does when he swings on the follow-through. You don’t twist your wrists at contact in baseball or other sports.

Mike equated hitting a golf ball to a low outside pitch. Mike demonstrates this. When he hits the ball, his left wrist is fairly flat, and on the follow-through, Mike’s wrist worked the same way it did in the baseball swing.

Mike rapidly got good with his golf swing and game at a young age. The coach at the time took a video of Mike’s swing and said his clubface was shut and that he had a flippy release. The coach said they had to get rid of that. He changed Mike’s grip and introduced a new swing concept: when you hit the ball, you rotate your left forearm and turn your wrists over with your left palm up.

Mike says that from then on and the rest of his career, he was never as good as he was in his late teens. Mike was winning everything back then, and it was really easy.

The ironic thing is that Mike, at age 69, is back to playing the way he did then and is now a more consistent ball striker than in his professional career. Mike attributes that to understanding how the hands work and controlling the clubface.

Mike says that your left wrist goes back and hits the ball, and then the club straightens your arms, and they fold up on the follow-through. You can see what the wrists are doing. Again, the wrists aren’t twisting over at impact.

Mike stresses the concept of hand action and release. Understanding this can either make your game easy or impossible to play.

THE SECRET TO THE LEFT WRIST

The driver and putter are the two most important clubs in the bag. With the driver, it is essential to hit the ball a decent distance and control where it goes off the tee. It is crucial to get started the right way. You can't play the game if you can't hit your driver well. It won't put you in a position to chip or putt the ball because you are out of play all the time.

Learning to hit the driver well is paramount to playing the game. Hitting a driver well is the most enjoyable part; everyone likes to see how far the ball goes. The problem is that what people perceive will make the ball go farther and what makes the driver move fast is incorrect. What people attempt to do with tension and effort to make the club move faster actually slows the club down.

When you put everything together, you can have fun with how the driver works, how those forces work, hitting the ball farther, and controlling the golf ball. When you go through The M-System Driver series, you will learn different parts of what you are trying to do to get the right feel of swinging the driver. If you get out of sequence and one part doesn't work, and you try to make the ball go far or create more speed, then you are creating speed the wrong way. This is harder to control the clubface and to be able to have fun. Getting off the tee successfully and getting the ball in play can make the driver the most important club in the bag.

DRIVER

SPEED DRILL - LEFT RIGHT LEFT DRILL

PRACTICE-SWING TECHNIQUE

There are two reasons people come over the top. Regardless of which one affects you, we want the momentum of the clubhead moving towards the ball.

MOMENTUM

Our second installment of the Spotlight Member brings us to Utah with Todd Heugly.

TODD HEUGLY

Using the same wedge. Hit three different trajectories and make the ball go the same distance. You do this by the relationship of your trail hand knuckles to the wrist. The farther behind the wrist at impact the knuckles are the lower the ball flight. Being able to achieve the same distance with multiple trajectories is a big part of having an efficient short game.

SWING CONCEPTS - CHALLENGE

Shoulder rotation and the "inside - over-the-top" swing.

FULL SWING FLAWS

Joe discusses a general overview of fitness that is suitable for most. He says people should first get an assessment. Joe also talks about how the golf industry has done a fantastic job measuring what happens outside the body. But he believes, based on his experience, they could have done a better job with how the body moves, how the body is constructed, and the most efficient ways to move around the hips and the shoulders.

Joe's advice is to understand the balance of how your body moves, which leads back to basic posture. Joe notices that in most workout programs, people work on muscles that are already strong, tight, and dominating. These are sometimes called "mirror muscles," and we neglect the muscles we can't see.

Every joint in your body has six movements. Good posture is injury reduction, a better brake system, golf sequence, blood flow, and nutrition to our body's tissues.

Mike surmises that the best golf-specific training program wouldn't necessarily be golf-specific but function-specific. Joe agrees but adds that you must begin with a balanced body. If the body works as it is supposed to, it will do anything you want.

Mike talks about the imbalance of muscles for many people and how that pulls them out of position. They may get stronger in the short term, but in the long run, they may be more dysfunctional.

Joe says it is difficult to learn when people are locked in that position, and learning a new skill is almost impossible. The key is to get them in a new position for better learning.

JOE-LACAZE: OVERVIEW OF FITNESS

Learning the lever system by throwing and hitting the ball is the best way to begin and will help build your swing.

BUILDING YOUR SWING

Trajectory is all about how you control the face. Figure out which lunch angle works best for you.

CONTROL YOUR TRAJECTORY WITH YOUR DRIVER

ASK MIKE: ADVICE

Practice making shots with your right hand in order to feel how your wrist moves.  Get a sense of this before moving on to Part 3.

RIGHT HAND LOB SHOTS

The swing game is a program that teaches young people simple movemen patterns.

SWING GAME

Mike uses his exercise bands to do classic bicep curls.

Mike stands on both exercise bands and does biceps curls, making sure to curl his arms nicely and slowly.

You can also drop your arms after you have made the curl and catch them when they extend. Perform this exercise with your elbows against your side.

FITNESS CURLS

Now that we have looked at the shoulder rise in putting, see how that fits back to the full swing.

SEEING THE COMMON FEATURES IN ALL OF YOUR SWINGS

Distance doesn’t necessarily come by restricting your knees or hips. In fact, restricting movement during the swing can cause serious damage.

AVOID INJURY

How does force actually move through your feet and what helps it work.

HOW DO YOU MOVE FORCE THROUGH YOUR FEET

SPEED DRILL - PULL BACK DRILL

Understanding how to make a center face hit can be difficult. Learn how to use knowledge you already have.

LEARNING CENTER FACE HITS WITHOUT A CLUB

RAPSODO

This Mulligan Monday is all about your grip and hands.

Start without a club and focus on your arms because they each do different things in a golf swing. Your left arm and hand both move in a chopping action back and forth. Your right hand and arm work more in a throwing motion.

Your left palm is facing down, and your right palm is facing forward.

On the backswing, your hands hinge back and then forward through impact. Swing your hands and arms back and forth. Feel the chopping action and throwing motion. That’s how the hands work together and are strong.

Your hands don’t roll, bow or twist together at impact.

GRIP AND HANDS

The swing is on a circle, not down the target line.

SWING ON A CIRCLE

Mike discusses how to not hit the ball fat when you practice the Left, Right, Left Drill, and push away.

A lot of this is about creating a feel. When Mike sets up for the Left, Right, Left Drill, he first goes left and pushes his left hip out of the way. Then, Mike’s left leg moves right on the backswing as his right leg and hip push back. He is back on his left foot and has plenty of time to push away on the downswing.

It is almost impossible to get to your left side too soon if you make a full-shoulder turn in the process. There are biomechanics out there that reinforce this idea.

Again, when you go left, right, left in your golf swing, by the time your right leg pushes you up to your left side, your club will be at the transition point and starting the downswing. Force is transferred to your left foot, and you will have lots of time to push away through the ball.

The timing of this drill is crucial. If you are late on this drill, you will hit everything fat. This action is just like hitting or throwing a baseball.

COMBINE WEIGHT SHIFT WITH PUSH AWAY

Your body off-sets momentum to feel in sync.

HOW THE BODY MOVES

From going broke to becoming #1 the tour.

FROM RAGS TO RICHES

Allowing the momentum of the club to direct you is very important. Practice making swings with less ofrearm rotation.

STAYING AWAY FROM FOREARM ROTATION

A Malaska Golf Member says he is left-handed when it comes to baseball, but he plays golf right-handed. He says his lead (left) hand is his control hand, and he wants to strengthen his trail (right) hand.

Mike says both hands have a role and a job. Mike sets up three balls and makes a swing with just his lead hand holding the club. Note the wrist action is more of a chopping motion. Mike hits the ball with only his left hand. He does this to feel how the club works and how the wrist releases into the ball.

Then Mike switches to his right hand and makes a practice swing. His right arm and hand release like a throwing motion.

Finally, Mike puts this all together with both hands on the club and hits the ball, allowing them to do what they should in unison.

Mike reiterates it isn’t about one hand or the other (right or left) but about using both in tandem. Working on this drill will help with your golf swing.

USING LEAD AND TRAIL HANDS

Knowing how the handle and bounce works are the first things to gain familiarity with for hitting these lob shots. Here's how you practice that.

FUNDAMENTAL SKILLS FOR HITTING LOB SHOTS

Check your aim if your tendency is to twist.

GARRETT MOSS

A Malaska Golf Member wants to know if Mike uses the same grip when chipping around the green as he does when putting.

The answer is yes! If Mike spends time on the putting green, he will take his pitching wedge and use it to make putts. Mike will make 10, 20, and 30-footers and then putt the ball out. The ball gets in the air; however, he is not blading the ball using his putting stroke.  

Again, Mike is using his putting grip with his pitching wedge. In essence, he has a lofted putter. He will also use a 7 iron, and an 8 iron.

This helps Mike to chip around the green. If he can chip on a putting green, there isn’t a lie around the green from which he can’t chip.

Taking your putting grip and chipping with different clubs on the green is going to make you a better chipper. This will also give you the confidence to chip around the edge of the green.

Paul Runyan gave Mike the idea to practice this when he struggled with chipping. Mike does this exercise, and it works well for him.

Again, take your putting grip and make putting strokes with a lofted club. This will help you chip from around the green.

YOUR PUTTING AND CHIPPING GRIP ARE THE SAME

A Malaska Golf Member has a question about a video that Ashley Malaska Moss did on the L to L Drill.Mike Malaska explains that many of the drills are slight exaggerations. When you do the L to L, you move from the ‘L’ on the backswing to ‘L’ on the follow-through and hold that position. However, if your body stops, the momentum of the club swinging through will cause the club to turn or flip over.Mike demonstrates from straight-on, where you can see the rotation in his arms. This is what they were asking about.When Mike does the L to L, he doesn’t swing hard and holds the ‘L’ on both sides. That way, his arms are stopping, and he is able to do the drill.If he goes to full speed while doing the L to L, then some rotation in the arms will happen. The momentum of the club will take over as it swings through on the follow-through.Again, drills are exaggerations. Mike actually likes to see people do the L to L drill while loosely holding the club in their fingers. Mike explains that this is so that you can feel the momentum and weight of the club, making your wrists hinge, unhinge, and rehinge. This is better than trying to hold the club too tight and start hanging on the club with your shoulders. Drills like the ‘Look Cool’ drill help you create the momentum of the club.Start holding the club loosely, then add a little structure and tension until you find the correct pressure when doing the L to L. That’s how you build it.Remember, the L to L is a slight exaggeration. Some things wouldn’t happen in full swing. Mike also notes that because your body stops, your wrists will rehinge earlier than they would in full swing.The L to L is there for a reason and is a slight exaggeration, but if you master it, it will pay big dividends.

L TO L IS AN EXAGGERATION

Mike talks with a Malaska Golf member about what encourages him to teach and draws on his shared experience of golfing after being injured.

GOLF AFTER INJURY

On the range players tend to hit ball way to quickly. There is a place and time for repetition. But if you want to see where you are in the game relative to playing. Then once you get a feel for your swing. Then put at least one minute between each shoot. Then you will start to see what is going to happen on the course. The biggest difference between the range and the course is time between shots. So put time between each shot. Watch what it did. If you like it replay it in your mind. If you do not like it then make a correction. Make some practice swings. Then see if the corrections you are making work.

PRACTICE TIME BETWEEN SHOTS

A Malaska Golf Member has a question about forward press, where at setup, you push your hips a little open and then swing back.Mike has studied the history of golf, which started in the 1800s, the original teachers and what they did, and numerous videos. Mike was on a quest to find out what happened to his swing after he finished playing professionally.&nbsp;Mike has studied from the beginning what these guys learned and how the swing developed based on equipment and all the different variables.Mike returned to the member's question about forward press. He said about 90% of golfers up until 1982 had a slight forward press. The reason for this is that they wanted to start the swing with some sort of ‘kick start.’Then someone decided you shouldn’t forward press after getting into the setup position. The new thought was to bounce or take a deep breath to start your swing. According to Mike, this was from someone who wasn’t even a golfer.This new setup didn’t even get you into an athletic motion; it just froze you up.Dr. Kwon, a prominent biomechanist, says when you set up to the ball, you should go left to go right to go left. This concept Mike has been preaching for years.&nbsp;Mike demonstrates the motion. Mike uses the analogy of other sports to reinforce this idea. In basketball, if you are guarding someone and they move right, then you have to go left first to go right, and the opposite is true if they go left. This is how sports work.Back to golf, Mike says if you want your backswing to go to the right, you have to go left to go right. Doing this gets the sequence moving and gets you where you aren’t static.What Mike does is he has a little left to right to go left in his swing. When he does this, it times his swing, and he is not starting from a static position.Having a slight kickstart, like Gary Player, Jack Nicklaus, Lee Trevino, Tom Watson, Bobby Jones, or Ben Hogan, is probably a good thing. Mike thinks it’s crazy that we stopped doing this, and now everyone is putting it into their swings.Mike is a big proponent of this because it triggers the motion athletically.

TRIGGER YOUR BACKSWING

Know how to use the ground to make confident chipping and pitching shots.

LEARN HOW TO USE THE GROUND

On long irons, rescues and fairway woods you want very small amount of downward hit. Weight is more in your trail foot and the ball is slightly more froward in your stance. This makes it easy to hit the ball then jus slightly brush the ground in-front off the ball. You still want a downward hit but very slight.

RESCUES AND FAIRWAY WOODS

Flip the driver around and hold it at the hosel. Make swings with the handle of the club and switch back. You want to feel the weight and the arc.

FEEL FOR THE DRIVER

In this first video of the Player Lesson series, Mike Malaska works with Jimmy Pearcy to uncover the unique elements of his "golf DNA" and build upon them to improve his game. Jimmy, a 24-handicap golfer, is eager to find more consistency in his swing, stay in play off the tee, and reduce his reliance on scrambling. His ultimate goal is to lower his handicap and enjoy a more reliable golf game.The lesson begins with Jimmy sharing his background and objectives, explaining that he struggles with striking the ball consistently and often finds himself out of position on the course. Mike, ever focused on personalized coaching, takes the time to understand Jimmy not only as a golfer but as a learner and a person. Through their conversation, Mike learns that Jimmy is analytical and thrives on structure, preferring to follow clear, step-by-step instructions when learning new skills. This insight shapes how Mike approaches the lesson, ensuring that he delivers information in a way that resonates with Jimmy.Jimmy also shares his professional journey, transitioning from a career in education to consulting in technology sales for school districts. His ability to bridge the gap between administrators and technical staff reflects his knack for understanding and communicating complex ideas—a trait that influences how he learns and processes golf instruction. Mike uses this as a foundation to explain how learning styles vary and why it’s essential to present information in a way that aligns with a person’s natural tendencies.To gain a better understanding of Jimmy’s physical movements and natural athleticism, Mike engages him in a series of simple yet revealing exercises. Using a baseball bat, Mike has Jimmy simulate swings and practice tapping a tree to observe his range of motion and body coordination. He also asks Jimmy to throw golf balls into the fairway, further analyzing how his body moves during these actions. Through these exercises, Mike identifies that Jimmy’s hips, shoulders, and arms tend to move together in unison, with minimal separation. This finding highlights the influence of Jimmy’s athletic background, which includes over a decade of playing travel softball after college.During the session, Jimmy mentions a torn labrum in his hip and ongoing tightness, which affects his range of motion. Mike reassures him that these physical traits are not a limitation but rather factors that must be considered when refining his golf swing. He critiques the common industry approach of forcing all players into a standard model, emphasizing instead the importance of tailoring instruction to fit each golfer’s unique biomechanics and natural tendencies.Mike introduces the concept of "golf DNA" to explain how each player’s natural movement patterns, athletic history, and physical traits form the foundation of their ideal golf swing. For Jimmy, his softball background and instinctive coordination provide a strong starting point. Rather than attempting to overhaul these patterns, Mike’s goal is to build upon them, adapting techniques that feel natural and effective for Jimmy.Throughout the lesson, Mike’s coaching philosophy becomes evident. He focuses on leveraging the strengths and abilities Jimmy already possesses, rather than attempting to mold him into an arbitrary ideal. By aligning the swing with Jimmy’s natural motions and respecting his physical limitations, Mike ensures that the changes are both practical and sustainable.This initial session provides Jimmy with valuable insights into his game and his learning process. He gains a deeper appreciation for how his unique "golf DNA" influences his swing and begins to understand how to work with, rather than against, his natural tendencies. With Mike’s guidance, Jimmy is set on a path to achieving greater consistency and lowering his handicap by playing to his strengths.

UNDERSTANDING YOUR GOLF DNA

Flop shots are easiest when the ball is sitting up.